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Even the most diehard Formula 1 fans will admit that John Frankenheimer's 1966 epic, "Grand Prix," is flawed. We can forgive and forget how Frankenheimer substituted a lot of Formula 2 cars, but we'll always zone out during the overwrought, soap opera-esque subplots that fill time between racing scenes.
Even the most diehard Formula 1 fans will admit that John Frankenheimer's 1966 epic, "Grand Prix," is flawed. We can forgive and forget how Frankenheimer substituted a lot of Formula 2 cars, but we'll always zone out during the overwrought, soap opera-esque subplots that fill time between racing scenes.
Even the most diehard Formula 1 fans will admit that John Frankenheimer's 1966 epic, "Grand Prix," is flawed. We can forgive and forget how Frankenheimer substituted a lot of Formula 2 cars, but we'll always zone out during the overwrought, soap opera-esque subplots that fill time between racing scenes.
Even the most diehard Formula 1 fans will admit that John Frankenheimer's 1966 epic, "Grand Prix," is flawed. We can forgive and forget how Frankenheimer substituted a lot of Formula 2 cars, but we'll always zone out during the overwrought, soap opera-esque subplots that fill time between racing scenes.