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From Pirelli
The 2013 edition of the famous Pirelli Calendar was presented this past weekend in Rio de Janeiro, Brazil.
The creator of the 40th edition of the calendar is Steve McCurry, one of the world's most renowned photographers, who recounts the recent social and economic transformation of Brazil.
His work celebrates the beauty and colors that represent the soul of this magical South American country, which takes center stage in the Pirelli Calendar for the third time.
The 2013 Pirelli Calendar tells its tales through faces drawn in graffiti and ordinary people, as well as through this year's models whose common thread is a powerful commitment to foundations, humanitarian projects and non-governmental organizations.
There are 34 colorful images in the 2013 Pirelli Calendar, bound together in a calendar-book: 23 portraits of actresses and models, nine images depicting bits and pieces of daily life, and two pictures entirely composed of graffiti and murals.
These represent an expression of popular artistic expression that attracted McCurry's attention with their ability to reflect the social aspects he was interpreting, and became the background in many photographs.
The 2013 edition of the famous Pirelli Calendar was presented this past weekend in Rio de Janeiro, Brazil.
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| (Photo: Pirelli) |
The creator of the 40th edition of the calendar is Steve McCurry, one of the world's most renowned photographers, who recounts the recent social and economic transformation of Brazil.
His work celebrates the beauty and colors that represent the soul of this magical South American country, which takes center stage in the Pirelli Calendar for the third time.
The 2013 Pirelli Calendar tells its tales through faces drawn in graffiti and ordinary people, as well as through this year's models whose common thread is a powerful commitment to foundations, humanitarian projects and non-governmental organizations.
 |
| (Photo: Pirelli) |
There are 34 colorful images in the 2013 Pirelli Calendar, bound together in a calendar-book: 23 portraits of actresses and models, nine images depicting bits and pieces of daily life, and two pictures entirely composed of graffiti and murals.
These represent an expression of popular artistic expression that attracted McCurry's attention with their ability to reflect the social aspects he was interpreting, and became the background in many photographs.